Below is my drum cover of Michael Jackson’s song Smooth Criminal. This is the first cover I have attempted using 3 cams, this is also the first cover I have issued using my new Tascam 1800 midi interface.
As with all the MJ covers I have done I had great fun playing this, all the drumming is my original work. Played the way I would have played the song given the chance.
It was recorded on the first take and the video and after effects completed by James Grice.
This was also the first cover I have mixed using Adobe Audition CS6.
Please have a listen and let me know what you think in the comments below.
If anyone would like the recorded drum tracks to play around with please let me know.
So I recently purchased a Tascam 1800, “What’s that?” I hear you say. The Tascam 1800 is a 16 channel midi interface that uses USB 2.0 to record straight into whatever program you work with. For me its Adobe Audition CS6. The benefit of this kind of interface is the ability to produce split track recordings. Which in drumming terms is a god send.
I will use my old set-up as my comparison . I used to use my beringer 2442fx mixing desk to record straight into Audition. While this serves the purpose of been able to record and listen back to the drums there wasn’t a lot I could do in terms of processing the music I recorded. The main reason for this is how the 2442 records to any program you decide to work with. It is only capable of passing through a single stereo track. Meaning that everything has to be mixed down before been sent to the computer. This in itself poses a problem because what you may hear in the monitor is not nessaseraly how the computer will interpret the sound. Also typically any musician will vary there playing from the sound check to the time when you will actually start recording. Not to mention slight variations in the way they play each subsequent recording, Be it a louder kick or quieter ghost notes on the snare. Because of this you’re not always garneted to get that perfect mix your after.
Which brings me up to date with my plan of 1 per month for the year.
As I stated in a previously blog I wasn’t happy with my personal timing in my cover of LITs “my own worst enemy” so I have re-visited the song and this time round I’m much happier with the time keeping.
This was also the first video that we did recording with a duel cam placed in a over the shoulder position. I’m very happy with the outcome for our first attempt. I say our because the audio was mixed and edited by myself. The video part was edited by my photographer and best friend James Grice.
James isn’t a musician so there is a slight delay on the over the shoulder shots because he cant hear the see the slight delay between my hits and the music, But then again unless you were a trained musician could you tell? But as you can see by the video James has an enormous amount of creative talent and his head is full of amazing ideas (to tell the truth he’s the one that pushes me to do all this, I’m quite lazy so this is a thank you to him), He added in the original LIT music vid and chose the transitions between cameras. He also made the ending sequence for the video not to mention his time he spent on a Saturday doing this for me 🙂 .
All in all I’m happy with our first attempted dual cam cover, and I will be attempting to educate him on when the a actual drum hits occur. I should mention though that we are both using a piece of software in adobe premiere that we don’t know how to use and is a very complicated piece of kit. So it’s a huge learning curve.
you will also notice me check the height of the ride cymbal(the big 1) at around 2:35. It had slipped down and was catching on the 3rd rack tom. I put this down to the heavy 5AB Vic Firth sticks i was using 🙂
Hello all, this will be the first issue in a multi-part blog about the ever-elusive subject of Drum Head Tuning.
I think there are two types of people that hit drums. The First been the person that plays drums, they are normally good at what they can do but lack the fundamental knowledge of differing techniques, and are missing a basic structural knowledge of music overall and a drummers relationship within a band. The other being a “Drummer”. This person not only has spent years honing different skill sets and abilities within his/her trade. But has also taken the time to understand music as a whole and how to play to compliment the piece of music being performed. Be it with different techniques like using brushes, or just being sensitive to the piece of music by not over playing or being too loud.
Ive never understood why some “drummers” shy away from this very important aspect of drumming. A nice sounding kit not only sounds great to people listening to you but you will find you will actually want to play and practice more. You will also find yourself being more creative around the kit. I find it has that affect on me anyway. Tuning is also a very good pass time. Hours just seem to fritter away. Read the rest of this entry
I’d like to start by first stating that your hearing once damaged does not heel itself. If you cause and keep causing significant damage you WILL develop tinnitus or worse may end up losing your hearing all together.
Experts say that hearing damage occurs at sounds louder than 85 decibels for an extended period of time (a phone rings at around 70db). I believe this is estimated at more than 6-7 hours. But an average drum stroke kicks out around 125db with cymbals being a tad higher. To put this into context it’s the same as An Ambulance siren, pneumatic drill, heavy machinery or a jet plane on ramp. Hearing damage will start to occur after around 4-5 minutes without protection if exposed directly to this. This isn’t to say that after that time you will notice it. The build up of damage could take years before you will notice it happening. But when you do it will be too late.
In this part I will pick up from January and Farther Christmas did indeed bring me the Drum Mics I had requested. (must have been good that year) They were Red5 Audios RVK 7 piece drum mic set. I also paid for a 3rd condenser mic to record the hats. But it turns out the over heads are amazing so I use the extra mic to capture the room sound. This is a fairly inexpensive set at £159.99 I will be doing a review on the mics I use at a later stage. But I have to say im uber pleased with them.
I just thought id shear this little re-cap with you all on what Ive accomplished during the year past since I posted my first ever Drum Cover up on youtube on the 19th of October 2010.
Morning all. As you know today is Halloween, and to mark the occasion I thought id do a little Halloween themed drum cover. Now this was a toss up between Thriller and Ghostbusters, But as im in the process of making a Michael Jackson mini series which I will be incorporating Thriller into. Which means for my Halloween Special Ghostbusters was chosen.
With it been a Halloween Special I also decided to dress up my room and kit. In accordance with the day. I managed to recruit my good friend James Grice to help me with the themed project. Read the rest of this entry
This was 1 of my favourite songs to play with my Church Band. There are lots of deferent beat styles used, And all in all a lot of fun to play.
The original song is by: Hill song united.
Hope you enjoy it.
If you have any questions about the video. Please leave a comment.
As I promised in a previous blog I will continue to look at the equipment I use for recording and editing my drum covers.
Today ill be looking at the Behringer USB 2442fx sound mixer. This is the heart and soul of my setup as without this the Mic’s, PC and even the drum kit its self is pretty much useless for recording.
Ive owned this unit for a little over 8 months now. And Ive go to say it’s a good steardy piece of kit. It’s got a decent weight to it and nice and bulky. Ive had only 1 problem and annoyance with it since Ive had it, and that is Channel 3 has stopped working when using the XLR input. Unfortunately I do not have any other equipment to test the other types of inputs on the channel (really should get around to doing that)