So I recently purchased a Tascam 1800, “What’s that?” I hear you say. The Tascam 1800 is a 16 channel midi interface that uses USB 2.0 to record straight into whatever program you work with. For me its Adobe Audition CS6. The benefit of this kind of interface is the ability to produce split track recordings. Which in drumming terms is a god send.
I will use my old set-up as my comparison . I used to use my beringer 2442fx mixing desk to record straight into Audition. While this serves the purpose of been able to record and listen back to the drums there wasn’t a lot I could do in terms of processing the music I recorded. The main reason for this is how the 2442 records to any program you decide to work with. It is only capable of passing through a single stereo track. Meaning that everything has to be mixed down before been sent to the computer. This in itself poses a problem because what you may hear in the monitor is not nessaseraly how the computer will interpret the sound. Also typically any musician will vary there playing from the sound check to the time when you will actually start recording. Not to mention slight variations in the way they play each subsequent recording, Be it a louder kick or quieter ghost notes on the snare. Because of this you’re not always garneted to get that perfect mix your after.
I’m finally back after an extended break due to a lot of personal things going on in my life. Which involved a lot of changes.
I am planning to get back to making drum covers as well as continuing to come up with new drumming ideas and writing more articles like this one which will include some reviews on new purchases I have made.
Please if anyone has any questions on anything I use or has any questions about drumming be it beginner or advanced please don’t be afraid to ask. If I don’t know the answer I will go away and learn it for you. Also with the same breath if you have any ideas for my future covers/ articles or my word press site please let me know.
Ok so this is a quick article to get me back into the swing of things, it has been a long time since I put pen to paper so to speak. To expand on the title if you haven’t guessed already is to let you know what I think every drummer should have with them for every gig, practice or audition they attend Read the rest of this entry
In this post I will be looking at lots of different aspect to do with Cymbals from playing them correctly to giving them the best possible chance of survival and set-up (but not placement)
Ill start with a little pick detailing the anatomy of a cymbal.
I will predominately be referencing Zildjian as that’s the make I use and know the most about. But there are plenty of others out there for you to try.
Cymbals are the most delicate part of the drum kit. They can be easily damaged if not cared for or played properly. Im going to attempted to show you the correct mounting of your cymbals and the correct way to strike them. With the main goal of extending the life of the cymbal. Ive been playing drums for over 20 years and never once broke a cymbal (touch wood) these things will last you a few decades if you treat them right and play them how they were designed to be played. As we all know cymbals can be very expensive. With the top ranges from each manufacturer fetching between £100-£350. So better not to crack one. Read the rest of this entry
This is a little challenge for all you budding drummers out there. I have recently challenged myself by learning some linier drum fill patterns. What is meant by linier I hear you say. Basically no two notes fall on the same count. So everything is played separately, and you can get some super crazy results from this. Below are two exercises that Ive put together for you. Please play close attention to the sticking as sometimes you will be using the left hand lead. The idea behind this is once it’s moved around the kit. You start to get some awesome patterns and combinations starting to form.
Exercise 1 is based around 16th notes. This is a simple pattern just to get you mind working.
Exercise 2 is all about 16th note triplets. With some awkward sticking and patterns, including a double stroke in the last bar. It might be a good idea to break it down and lean it bar by bar first.
The ideas behind these is to get you thinking outside the box and to give you an example of what you can do. Once you have it down on the snare and kick your next progression it to start moving the pattern around the kit. Believe me its a lot of fun You can place rests in there as well to increase the challenge..
In this article I would like to talk to you about different types of equipment you can get to aid drum tuning. Talk a little about External Dampeners and share a few little tips Ive picked up along the way.
Ill start with the topic of Drum Keys. There are lots of different types out there to help AID drum tuning. There are NONE out there that will do the job for you. You will always have to put in the hard work and time to actually learn how to tune your drums properly. That been said they can and will help speed up the process. The main 2 types im going to look at here are the “Drill Bit Drum Key” and the “Evans Torque Key”
Things you may need: Guitar Tuner
In this issue of tuning your Drums I will finally get around to looking at the last drum on most peoples kit. It is of course the ever elusive subject of Snare Drum Tuning. The snare is by far the hardest drum to tune. What makes it hard I hear you say? “Snare Buzz” I will hopefully try to give you some tips Ive picked up through my years of drumming to help you eliminate this Problem and I will attempt to do this without the use of any dampening. As I believe this to be cheating and if a good kit is tuned properly this shouldn’t be needed anyway for a live sound. But saying that obviously there are instances when recording that you might need some external dampening but I will be looking at this in my Drum Tuning Extras addition. Read the rest of this entry
In this issue of my tuning guide we will be looking at Bass Drum Tuning and dampening.
But first if you haven’t had a look at my other issues in this Drum Tuning Series please take a look at them first.
Topics we have covered so far are:
- Drum Anatomy
- Equipment needed
- Drum Head Selection.
- Drum Preparation
- Drum Key Technique
- Drum Head Seating and Tuning
There are 2 main types of Bass Drums. The first and optimal bass drum being the un drilled type. Basically it has no mountings for toms. As such no huge metal bars for the sound to escape through the downside being you have to purchase additional racking or boom arms to hold the toms. This can be costly but my preferred choice. The 2nd been the drilled type. Which has a huge hole to mount the toms on. Not great as the vibrations escape up this drying the drum out faster. But it is the cheaper option.
(pictured above is one of my kits and the kit i use for my drum covers. This has a none drilled bass drum) Read the rest of this entry
Which brings me up to date with my plan of 1 per month for the year.
As I stated in a previously blog I wasn’t happy with my personal timing in my cover of LITs “my own worst enemy” so I have re-visited the song and this time round I’m much happier with the time keeping.
This was also the first video that we did recording with a duel cam placed in a over the shoulder position. I’m very happy with the outcome for our first attempt. I say our because the audio was mixed and edited by myself. The video part was edited by my photographer and best friend James Grice.
James isn’t a musician so there is a slight delay on the over the shoulder shots because he cant hear the see the slight delay between my hits and the music, But then again unless you were a trained musician could you tell? But as you can see by the video James has an enormous amount of creative talent and his head is full of amazing ideas (to tell the truth he’s the one that pushes me to do all this, I’m quite lazy so this is a thank you to him), He added in the original LIT music vid and chose the transitions between cameras. He also made the ending sequence for the video not to mention his time he spent on a Saturday doing this for me 🙂 .
All in all I’m happy with our first attempted dual cam cover, and I will be attempting to educate him on when the a actual drum hits occur. I should mention though that we are both using a piece of software in adobe premiere that we don’t know how to use and is a very complicated piece of kit. So it’s a huge learning curve.
you will also notice me check the height of the ride cymbal(the big 1) at around 2:35. It had slipped down and was catching on the 3rd rack tom. I put this down to the heavy 5AB Vic Firth sticks i was using 🙂
Finally managed to finish the first Drum Cover of this Year. I’ve also recorded another but just waiting on the Video Edit for that 1. This is the 2nd instalment in my Michael Jackson mini-series and its titled “thriller”
- “Thriller,” the biggest-selling album ever, wasn’t the only Michael Jackson work released in November 1982. A few weeks before it was set to hit stores, MCA Records released an album of Jackson reading the story of “E.T.: The Extra-Terrestrial” and performing the original song “Someone in the Dark.” The album promotion, which featured posters of Jackson and E.T. looking very friendly, angered CBS Records, which felt it was stealing the thunder from “Thriller.” Lawsuits ensued. Both albums ended up winning Grammys the following year.
- “Thriller’s” phenomenal success led to a breaking down of traditional racial barriers on FM radio at the time. New York’s WPLJ, a “white” station, played Jackson’s “Beat It” because of Eddie Van Halen’s appearance on it. The song caused a wave of protests from some listeners who didn’t want “black” music on their station. MTV also had a reputation for flavoring white performers at the time, and its heavy rotation of Jackson videos helped alleviate the criticism.
- The music video of “Thriller” played in a Westwood theater for one week in 1983 to qualify for an Oscar nomination. It opened for Disney’s “Fantasia,” much to the dismay of unsuspecting parents.
I hope you enjoy it. It was a lot of fun to play. Only part I’m not happy with is the timing issues at the start.
Welcome to part 3. In this issue we will be looking at the toms. Finally we get down to fitting that first drum head.
(All pics are of my Drum Kit and me 🙂 courtesey of James Grice.)
But first a list of the topics covered in the last edition, and if you haven’t read it please take a look before reading this:
- Drum Preparation
- Drum Key Technique
I tend to start with the smallest tom as it’s the highest pitched and then work my way down to the floor tom or biggest rack tom.
Right then down to it. First things first check you haven’t got a dead drum head before you start. Grab the new head and tap it in the middle you should get a very dull but slight tone out of the new head, If you don’t and instead get a duff sound the head is dead and not worth using. (the chance of this is very, very small but still worth mentioning)
Now place the head over your drum it should go straight on without any struggle. (I normally line the logo up with the support arm, Just my preference. And I start with the batter head.) Then were going to place the hoop on over the top this is normally a tighter fit and can require a slight push to get it on properly.