My Drum cover of “smooth criminal” by Michael Jackson.
Below is my drum cover of Michael Jackson’s song Smooth Criminal. This is the first cover I have attempted using 3 cams, this is also the first cover I have issued using my new Tascam 1800 midi interface.
As with all the MJ covers I have done I had great fun playing this, all the drumming is my original work. Played the way I would have played the song given the chance.
It was recorded on the first take and the video and after effects completed by James Grice.
This was also the first cover I have mixed using Adobe Audition CS6.
Please have a listen and let me know what you think in the comments below.
If anyone would like the recorded drum tracks to play around with please let me know.
Working with Paradiddles
Beginner – Intermediate
Hello all. Sorry I’ve been away for a few weeks. Life’s been a bit hectic lately.
Today I thought id bring you another little exercise. This involves one of the best drum rudiments the Paradiddle. This is by far my favourite of the standard 26. There is so much you can do with it, plus it’s great for improving double stroke speed and overall co-ordination
The idea of these exercises is to show you how to move the Paradiddle around the kit and how to incorporate them into beats.
Exercise 1 is the standard paradiddle played on the snare only you can add in the bass drum on the first note of each set of semi-quavers if you like. I would spend around 10 mins a night practicing this until your happy with your speed. (It will improve your left had no end.) This is a regular feature in my practice sessions.
Exercise 2. This is the first Example of how to begin to move the paradiddle around the kit. I have now moved all the right hand notes onto the Floor Tom or Tom 3. But keeping the left hand on the snare. This gives a good contrast and can easily be used as a fill. Especially if you accent the left hand hits.
Exercise 3. This is basically how to start structuring beats out of paradiddles. The paradiddle is made up of the bass drum and the left hand on the snare. While the right hand keeps time on the hi-hat.
Remember it’s up to you to take this further. This is only a guide to get the creative juices flowing. Take it to your kit and get creative. There is no right or wrong when this kind of thing is concerned.
Food for thought.
- Try not using any drums at all. You have the hi-hat and ride to play with also.
- Try resting some notes. Its still a paradiddle even if you don’t play all the notes.
A little Challenge
This is a little challenge for all you budding drummers out there. I have recently challenged myself by learning some linier drum fill patterns. What is meant by linier I hear you say. Basically no two notes fall on the same count. So everything is played separately, and you can get some super crazy results from this. Below are two exercises that Ive put together for you. Please play close attention to the sticking as sometimes you will be using the left hand lead. The idea behind this is once it’s moved around the kit. You start to get some awesome patterns and combinations starting to form.
Exercise 1 is based around 16th notes. This is a simple pattern just to get you mind working.
Exercise 2 is all about 16th note triplets. With some awkward sticking and patterns, including a double stroke in the last bar. It might be a good idea to break it down and lean it bar by bar first.
The ideas behind these is to get you thinking outside the box and to give you an example of what you can do. Once you have it down on the snare and kick your next progression it to start moving the pattern around the kit. Believe me its a lot of fun You can place rests in there as well to increase the challenge..
My Thoughts on Tuning your Drums. (Part 5)
Things you may need: Guitar Tuner
In this issue of tuning your Drums I will finally get around to looking at the last drum on most peoples kit. It is of course the ever elusive subject of Snare Drum Tuning. The snare is by far the hardest drum to tune. What makes it hard I hear you say? “Snare Buzz” I will hopefully try to give you some tips Ive picked up through my years of drumming to help you eliminate this Problem and I will attempt to do this without the use of any dampening. As I believe this to be cheating and if a good kit is tuned properly this shouldn’t be needed anyway for a live sound. But saying that obviously there are instances when recording that you might need some external dampening but I will be looking at this in my Drum Tuning Extras addition. Read the rest of this entry
My Thoughts on Tuning your Drums. (Part 4)
In this issue of my tuning guide we will be looking at Bass Drum Tuning and dampening.
But first if you haven’t had a look at my other issues in this Drum Tuning Series please take a look at them first.
Topics we have covered so far are:
- Drum Anatomy
- Equipment needed
- Drum Head Selection.
- Drum Preparation
- Drum Key Technique
- Drum Head Seating and Tuning
There are 2 main types of Bass Drums. The first and optimal bass drum being the un drilled type. Basically it has no mountings for toms. As such no huge metal bars for the sound to escape through the downside being you have to purchase additional racking or boom arms to hold the toms. This can be costly but my preferred choice. The 2nd been the drilled type. Which has a huge hole to mount the toms on. Not great as the vibrations escape up this drying the drum out faster. But it is the cheaper option.
(pictured above is one of my kits and the kit i use for my drum covers. This has a none drilled bass drum) Read the rest of this entry
2nd cover of the year
Which brings me up to date with my plan of 1 per month for the year.
As I stated in a previously blog I wasn’t happy with my personal timing in my cover of LITs “my own worst enemy” so I have re-visited the song and this time round I’m much happier with the time keeping.
This was also the first video that we did recording with a duel cam placed in a over the shoulder position. I’m very happy with the outcome for our first attempt. I say our because the audio was mixed and edited by myself. The video part was edited by my photographer and best friend James Grice.
James isn’t a musician so there is a slight delay on the over the shoulder shots because he cant hear the see the slight delay between my hits and the music, But then again unless you were a trained musician could you tell? But as you can see by the video James has an enormous amount of creative talent and his head is full of amazing ideas (to tell the truth he’s the one that pushes me to do all this, I’m quite lazy so this is a thank you to him), He added in the original LIT music vid and chose the transitions between cameras. He also made the ending sequence for the video not to mention his time he spent on a Saturday doing this for me 🙂 .
All in all I’m happy with our first attempted dual cam cover, and I will be attempting to educate him on when the a actual drum hits occur. I should mention though that we are both using a piece of software in adobe premiere that we don’t know how to use and is a very complicated piece of kit. So it’s a huge learning curve.
you will also notice me check the height of the ride cymbal(the big 1) at around 2:35. It had slipped down and was catching on the 3rd rack tom. I put this down to the heavy 5AB Vic Firth sticks i was using 🙂
First cover of the year
Finally managed to finish the first Drum Cover of this Year. I’ve also recorded another but just waiting on the Video Edit for that 1. This is the 2nd instalment in my Michael Jackson mini-series and its titled “thriller”
- “Thriller,” the biggest-selling album ever, wasn’t the only Michael Jackson work released in November 1982. A few weeks before it was set to hit stores, MCA Records released an album of Jackson reading the story of “E.T.: The Extra-Terrestrial” and performing the original song “Someone in the Dark.” The album promotion, which featured posters of Jackson and E.T. looking very friendly, angered CBS Records, which felt it was stealing the thunder from “Thriller.” Lawsuits ensued. Both albums ended up winning Grammys the following year.
- “Thriller’s” phenomenal success led to a breaking down of traditional racial barriers on FM radio at the time. New York’s WPLJ, a “white” station, played Jackson’s “Beat It” because of Eddie Van Halen’s appearance on it. The song caused a wave of protests from some listeners who didn’t want “black” music on their station. MTV also had a reputation for flavoring white performers at the time, and its heavy rotation of Jackson videos helped alleviate the criticism.
- The music video of “Thriller” played in a Westwood theater for one week in 1983 to qualify for an Oscar nomination. It opened for Disney’s “Fantasia,” much to the dismay of unsuspecting parents.
I hope you enjoy it. It was a lot of fun to play. Only part I’m not happy with is the timing issues at the start.
Re-cap on a year gone bye (part 2)
In this part I will pick up from January and Farther Christmas did indeed bring me the Drum Mics I had requested. (must have been good that year) They were Red5 Audios RVK 7 piece drum mic set. I also paid for a 3rd condenser mic to record the hats. But it turns out the over heads are amazing so I use the extra mic to capture the room sound. This is a fairly inexpensive set at £159.99 I will be doing a review on the mics I use at a later stage. But I have to say im uber pleased with them.
Re-cap on a year gone bye. (part 1)
I just thought id shear this little re-cap with you all on what Ive accomplished during the year past since I posted my first ever Drum Cover up on youtube on the 19th of October 2010.
Its Finally Here
Bellow is a link to my new cover of Michael Jackson’s “black or white”. It was recorded using my new EQ settings. I hope you like it. Any questions please leave a comment and ill answer then ASAP. ( a tad rushed though i must say)